"Untitled 12" is an electronic music experiment performed via livecoding at the Anatomy Theatre, King's College, London. The piece focuses on the contrast between a stable, standard bassline and layers of randomly generated synth sounds, exploring how structure and chaos interact in real-time.
The program:

Live coding is a new direction in electronic music and video, and is starting to get somewhere interesting. Live coders expose and rewire the innards of software while it generates improvised music and/or visuals. All code manipulation is projected for your pleasure. Live coding is inclusive and accessible to all. For more info see: http://toplap.org/
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2014
New Technologies and Renaissance Studies II, ed. Tassie Gniady and others, Medieval and Renaissance Texts and Studies Series (Iter Academic Press), Dec 2014. Volume 4
2011
2010
paper Data integration perspectives from the London Theatres Bibliography project
Annual Conference of the Canadian Society for Digital Humanities / Société pour l'étude des médias interactifs (SDH-SEMI 2010), Montreal, Canada, Jun 2010.
blog Livecoding: Xanadu
2009
paper Meaning and Structure in the London Theatres Bibliography
The Fifty-Fifth Annual Meeting of the Renaissance Society of America, Los Angeles, CA, USA, Mar 2009.